Yangisse Jarabi

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Les Productions d'OZ

Yangisse Jarabi was inspired by the vocal music of the Aka Pygmies and the kora music of Toumani Diabate. The first movement employs both rhythmic and melodic motives found in the music of the Aka tribe. The slow section enters a completely different musical world before giving way to the light hearted second movement which owes its inspiration to the kora, Africa's magical harp made from a large gourd and played with the thumbs.

Luminance

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Les Productions d'OZ

These Five Short Pieces for cello and guitar are tonal, accessible, and deliberately concise in there construction. There are many opportunities for expressive virtuosity and meditative introspection. This work is dedicated to the visual Artist Ling-Wen Tsai whose work often speaks softly but with great depth and integrity.

"I have played through and reviewed works by the American guitarist/composer Nathan Kolosko before and as far as I can recall have never been disappointed by anything he has written. Luminance, I am pleased to write, is no exception. Dedicated to the Taiwan visual artist, Ling-Wen Tsai (whose work, by the way, is definitely worth checking out on the Internet). This composition is in five movements, all fairly short, all having an oriental flavour and each one contributing to making this suite a first-rate piece of writing for the cello and guitar repertoire. The mood for the most part tends to lean towards sad and reflective, but this is not depressing music just very emotive. An unusual feature, but extremely effective in this context, comes with the fourth movement (marked Sly, cunning) where the guitarist has to play single melody notes using a brass or glass slide throughout. Playing ensemble music is one of the most pleasant experiences in music making and if you happen to be around Intermediate Grade and know a decent cellist give this work a try, I doubt you'll be disappointed. The presentation is excellent with the guitar part being read from the score (with no page turns) and a separate part for the cellist."
Steve Marsh - Classical Guitar Magazine 2009

The Myth of the Fomorians

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Les Productions d'OZ

The Fomorians were a mythological race believed to have inhabited Ireland in ancient times. There are two distinctly different mythologies based upon the origins of this race.

According to an 11th century text called The Book of theDun Cow, the Fomorians, whose name means 'dark of the sea,' were a race of Gaelic demons said to have the body of a man and the head of a goat. The second, and less fantastic story, states that the Fomorians were an ancient sea-faring race thought to have originated in Northern Africa or Asia, perhaps the same race that at one point invaded Spain.

This composition, The Myth of the Fomorians, is inspired by that second myth. It poses the musical question; What would the music of Ireland sound like if it were strongly influenced by the Moorish traditions of northern Africa and Spain?

The work begins with a dance rooted in traditional Irish music while embracing the harmonic language of Moorish Spain and the rhythms of Northern Africa. The second movement builds to a rasgueado and slur section that evokes both the spirit of the oud and the flamenco guitar traditions of Spain. The work closes with a slow decrescendo and decelerando that is followed by a brief and altered recapitulation of the movements initial theme that ends in subtle suspense.

The 120 Missing
Right hand Studies

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Les Productions d'OZ

These exercises were written to help the beginning guitarist develop precise and effortless right hand technique. They are essential and effective exercises for students of all ages. The title of this collection makes reference to Mauro Giuliani's 120 right hand studies. This set of exercises is an exploration of the fundamental right hand techniques that are the basis for Giuliani's studies and all classical guitar literature.

Songs From Formosa

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Les Productions d'OZ

These arrangements are based on four Taiwanese folk songs. Each setting contains a substantial amount of newly composed material. My goal has been to express the meaning behind the text while creating musical development within each piece. The four pieces were conceived as a set, but can be performed separately or in any effective combination of movements.

"Without exception, all of these songs are excellent in their own right and have been exceptionally well arranged by Nathan Kolosko who plays all the four pieces on the accompanying CD. Throughout these pages the music runs through a range of emotions: bitterness, joy, tragedy, humour, sadness and all done in the highest possible taste. Songs From Formosa is an absolutely delightful new release and one I can thoroughly recommend to any player of at least Grade 7 seeking new stylish, attractive repertoire."
Steve Marsh - Classical Guitar, September 2008

Five Short Pieces

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Doberman-Yppan

Five Short Pieces were written for beginner to intermediate level guitarists. Each piece explores specific pedagogical and musical goals. Strong melodic material paired with an accessible harmonic language make learning these pieces an enjoyable experience. (CD included)

" ... these five brief studies are imaginative in their construction and are a most welcome addition to the intermediate student repertoire. Each one has a specific didactic purpose in mind and all are quite attractive on the ear. "
Steve Marsh - Classical Guitar, April 2007

Rhytmiques

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Doberman-Yppan